
Photo: equal-life
from the Wikipedia (something to consider)
“Society of the Spectacle
The concept of a Society of the Spectacle may refer in a narrow sense to the people who appear in television, particularly the hosts of television shows and news. A broader meaning refers to all the people leaving in a society, and whose behavior and lives are heavily conditioned by the behavior of tv presenters. The impact of the medium of television, labeled by Marshall McLuhan as the timid giant, is such that even the small minority of people that don’t watch it at all, are indirectly influenced by their relationship with those who do.
Historically in the capitalist societies, television outlets have not been public places where talented and skilled individuals can make a career and express their ideas without censorship. Instead, they have been owned by powerful corporations or controlled by directors appointed by political officials.
The flow of ideas that go through a society come from, or are edulcorated [to render sweet] by, the television. This is in fact a totalitarian control of the public discourse, resulting in the pollution of ideas, tastes, behaviors, life styles, and political choices.
Degradation of human life
Debord traces the development of a modern society in which authentic social life has been replaced with its representation: “All that was once directly lived has become mere representation.” Debord argues that the history of social life can be understood as “the decline of being into having, and having into merely appearing.” This condition, according to Debord, is the “historical moment at which the commodity completes its colonization of social life.”
With the term spectacle, Debord defines the system that is a confluence of advanced capitalism, the mass media, and the types of governments who favor those phenomena. “… the spectacle, taken in the limited sense of “mass media” which are its most glaring superficial manifestation…”. The spectacle is the inverted image of society in which relations between commodities have supplanted relations between people, in which passive identification with the spectacle supplants genuine activity. “The spectacle is not a collection of images,” Debord writes. “rather, it is a social relationship between people that is mediated by images.”
In his analysis of the spectacular society, Debord notes that quality of life is impoverished, with such lack of authenticity, human perceptions are affected, and there’s also a degradation of knowledge, with the hindering of critical thought. Debord analyzes the use of knowledge to assuage reality: the spectacle obfuscates the past, imploding it with the future into an undifferentiated mass, a type of never ending present; in this way the spectacle prevents individuals from realizing that the society of spectacle is only a moment in history (time), one that can be overturned through revolution.
Debord’s aim and proposal, is “to wake up the spectator who has been drugged by spectacular images,” “through radical action in the form of the construction of situations,” “situations that bring a revolutionary reordering of life, politics, and art”. In the situationist view, situations are actively created moments characterized by “a sense of self-consciousness of existence within a particular environment or ambience”.
Debord encouraged the use of détournement, “which involves using spectacular images and language to disrupt the flow of the spectacle.”
from ABC News:
Jakarta bomber has ‘rock idol’ status
By Indonesia correspondent Geoff Thompson
Posted Thu Aug 6, 2009 5:13am AEST
A former student of one Indonesia’s schools that graduated many trained terrorists says Noordin Mohammad Top is considered a “rock-idol” by the country’s young Islamist extremists.
Noor Huda Ismail received a masters degree in International Security from St Andrews, the same university attended by Britain’s Prince William.
But he is better known as former student of the Ngruki boarding school founded by Abu Bakar Bashir which was was also attended by many known terrorists.
His recent interviews with current and former members of Jemaah Islamiah reveal the way some young Islamic radicals regard Top – the man thought to be behind the recent hotel bombings in Jakarta.
“Noordin still considered like a rock idol – they praise him,” Ismail said.
He also says that the bombings may be intended to attract more financial support from organizations like Al Qaeda by demonstrating the capabilities of Indonesian terrorists”.
When I first heard of the goings on in Temanggung, Central Java, this is the first article which I came to. What is of interest is not its brevity but the embedded video which appears in the article. The video has no sound and it likely was taken with a cell phone video camera. There is no attribution of the video in the BBC article. Whoever produced the video was not so much interested in the goings on at Top’s hideout as with the huge numbers of people who had gathered on the scene to watch what was about to play out. The video is 30 seconds in length and is worth watching. It is not nearly as focused on the police action as in the videos and news accounts I have seen on MetroTV or other news agencys. It is, well, as if Manchester United had descended on the village ready to play.
from the BBC:
“Indonesia suspect ‘in shoot-out’
Indonesian police have exchanged gunfire with the occupants of a house in Java, believed to include one of South-East Asia’s most wanted men, Noordin Mohamed Top.
[see video here]
The Malaysian citizen is suspected of involvement in last month’s bombings of two Jakarta hotels.”
New York Times:
Plot to Kill Indonesian President Foiled, Police Say
By SETH MYDANS
Published: August 8, 2009
“The president told reporters he had been briefed about a counterterrorism operation by the police, though he did not mention Mr. Noordin. “I extend my highest gratitude and respect to the police for their brilliant achievement in this operation,” he said.”
The Jakarta Post is now reporting that Top was killed in the bathroom of the hideout. More details and details and details to follow. Yet, here is something rather curious from a Google search “Noordin Top killed in bathroom”.
It has been determined that the explosives themselves were concealed from household staff in an air-conditioning service duct in the bathroom. …
The Republican – MassLive.com – 10 hours ago
… militant chief Noordin Mohammad Top, who is blamed for last month’s attacks on two American hotels in the capital Jakarta, was killed in the bathroom of …
Of course there is this bit of recent news as well…
Noordin Top may still be alive
Indonesia News.Net
Saturday 8th August, 2009
“Serious doubts have emerged over the killing of Indonesia’s most wanted terrorist Noordin Mohammed Top.
While a man killed in police raids in central Java on the weekend was assumed to be Top, the dead man’s remains are still in Jakarta being DNA tested.
Indonesian police at the weekend trapped two men in a house in Temanggung, after receiving information Noordin was inside.
They raided the house and shot the men, who were believed to be using the raided house as a refuge.
But there are now fears that police intelligence may have been incorrect.
Indonesian anti-terrorism sources, who were confident they had killed Top, have now refused to confirm widespread local reports of his death, saying they will wait for the DNA tests in Jakarta.”
This is Sinatron.
from: My Fasionable Life [blog]
Tuesday, 27 January 2009
“Do YOU Watch Sinetron?
I do sometimes…to bond with my mum.
Here’s my excuse: Being a working woman, by the time I got home, it usually around 7 or 8 pm and during that time my mum would be in front of the TV, watching her favorite sinetron.
Sure, I have a complete set of entertainment center and American TV Series (told ya…I’m half Americanized, but let’s not get into that) in my room, but we often sit by her…yes….watching sinetron. For someone who dislike sinetron, I have a tolerable knowledge of it, being an obliged daughter that I want to be :p
What bothers us (me and my dad) is not the sinetron part, it is the content that makes us constant complainer every night. My mum used to comment: “aren’t you both ever got tired of complaining?”
No, we don’t.
If the programs are worth watching, we wouldn’t care. Have you seen what our sinetron are all about recently?
The programs are all about wealth exploitation, looks, evil, torture, puppy-love, and consumerism. I’ve noticed that they usually have simple storylines….at the beginning. But…. when its gaining commercials (the success parameter, sadly), what would’ve been a good program is now no better than just a mere object of eye candy, with its eye soothing cast. But that’s just about it. Now…it’s just a crappy program that plays with viewers mind with its neverending conflict and crisis.
My dad used to say, the script writer, director and producer must have been lunatics to come up with an impossible storyline. And for what? Just to fulfill their obsession with money that runs through the incoming commercials….that’s why they prolonged the plot into an impossible to believe storyline.
Through out the neverending episodes the main character suffers badly (if not tortured, both mentally and physically), and she or he doesn’t get to be happy until one last episode. The main character usually is very weak and very giving, never think of herself, a do gooder, a saint, an angel. Arrrrgghhhh!!!!
Now…I have to pray that our Culture and Tourism Minister (do we still have one?) will see for himself and consider to warn TV station to stop harrassing their viewers with bad, bad programs. Is sinetron considered as culture? I think so, keeping in mind that all TV stations are going with the same programs at the same time. If not mistaken this is called “pop culture”, so Pak Menteri…please…please revised these crappy programs.
Bring back program like Si Doel Anak Sekolahan, where the only antagonist was Zaenab’s mom (but would not consider her as evil, just a human being…a saint if compared with current sinetron antagonists). Please produce more quality programs like Rumah Masa Depan, Losmen (hey…I’m reminiscing here) and Jendela Rumah Kita…even ACI.”
My point exactly.
Or more to the point…
On hearing the news of W.S. Rendra’s death ( a tragic loss but a joy that he lived) I came across a review written by Mike Heald of Harry Aveling’s book Secrets Need Words: Indonesian Poetry, 1966-1998, Center for International Studies, Ohio University: Ohio, 2001
Heald writes:
…In the same week, an article appeared in The Age newspaper written by Wahid, entitled “How to counter Islamic extremism”, a topic, of course, very much on people’s minds after the events of September 11th. Wahid’s argument was that many students from Muslim nations who study overseas do not receive a broadly-based liberal education, focusing only on vocational areas such as engineering and the sciences. He argued that, as a result of this narrow education, many of the students lack the intellectual subtlety and capacity to interpret their religion in any but a simplistic, literalistic way, unmindful of cultural change and nuance:
Because they [the students]have not been trained in the rich disciplines of Islamic scholarship, they tend to bring to their reflection on their faith the same sort of simple modelling and formulistic thinking that they have learned as students of engineering or other applied sciences. Students studying liberal arts are rather better served when it comes times [sic] to reflect on the place of Islam in the modern world.
I read Wahid’s article with an interest fueled, in part, by my own professional role within the teaching program responsible for this journal, the Foundation Studies Program of Trinity College, Melbourne University. The wisdom of including humanities subjects, such as Literature, Drama and History of Ideas, as compulsory elements of our Core Curriculum, is periodically questioned, from the position that a functional competence for one’s vocation is all the formal education that a young person needs. The error of this way of thinking, and the very real connection between suicide bombers and intellectual training, is made very clear by Wahid. Intellectual subtlety, a capacity to deal with ambiguity, metaphor and cultural relativity, are by no means disposable, abstract or decorative educational objectives: they are indeed ‘foundational’, and they lead to certain kinds of behavior which are highly preferable to anyone who values an open and tolerant society. The Core Curriculum of Foundation Studies at Trinity guarantees, for example, that students encounter, and reflect upon, poetry. And poetry, as this anthology Secrets Need Words again confirms, entails a grappling with the subtleties of human experience: so that, through Harry Aveling’s translations, we encounter the ambiguities, the passions, the uncertainties and, in general, the inner life of Indonesians in the Suharto years. After reading such a collection, we can no longer believe in simplistic, or strategically distorted conceptions of contemporary Indonesia: they are dispelled.”
Let us hope so.
Rendra’s death reminds us that there is more than sheer spectacle in life.
This is my poem.
An emergency appeal.
What is the meaning of art,
If divorced from the world of suffering.
What is the meaning of thought,
If separated from the troubles of life.
-W.S. Rendra, Sajak Sebatang Lisong